Canons to the right of me
Canons to the left of me
Canons in front of me
And the last bit of structural decision making is finally done. I hope.
Funny thing about writing post-tonal canons is that you get some seriously gnarly accidentals:
My tenor and bass canon for ACC 5, feat my pj bottoms and my Majora’s Mask Mouse pad.
Check out those delish double flats. Might change the whole passage to sharps, but where’s the challenge in that?